"Someday you will be old enough to start reading Fairy Tales again."
~C.S. Lewis~
Updates on my writing, current books I am reading, and the cups of tea that accompany my daily adventures :)
Sunday, May 3, 2015
Saturday, April 25, 2015
Poem of the Week
In light of the spring season, I thought I would
post a poem about the dawn of spring by Louisa May Alcott:
TO THE FIRST ROBIN
TO THE FIRST ROBIN
by:
Louisa May Alcott (1832-1888)
Welcome,
welcome, little stranger,
Fear no
harm, and fear no danger;
We are
glad to see you here,
For you
sing "Sweet Spring is near."
Now the
white snow melts away;
Now the
flowers blossom gay:
Come dear
bird and build your nest,
For we
love our robin best.
Saturday, April 18, 2015
Louisa May Alcott
I was looking over some quotes by Louisa May Alcott the
other day--the wonderful author who wrote Little
Women, Little Men, Jo's Boys, and many other great
works. I think it is important to listen
and consider yesterday's classic writers, because they gave so much to the
world of literature. Where would I be
had I not read Little Women, Black Beauty, or the tales of Huckleberry Finn when I was child? Truly, my imagination would not have been
stretched, and my love of books would not be where it is today.
I love some of her very stark quotes, such as: "I like good strong words that mean
something..." Those that have
critiqued and edited my work have demonstrated this quote, because they will
alter certain words within my writing. I
confess that this has always bothered me, because the word they would change it
to would be the synonym of the word I had already written. However, their word was usually better,
because it was stronger. And it
powerfully clarified what I was trying to say.
So as Alcott already stated, stronger words are better.
And one of her best quotes that I read was: "I'd rather take coffee than compliments
just now." :)
Tuesday, April 14, 2015
Poem of the Week
The Letter
|
by Charlotte Bronte
|
| What is she writing? Watch her now, How fast her fingers move! How eagerly her youthful brow Is bent in thought above! Her long curls, drooping, shade the light, She puts them quick aside, Nor knows that band of crystals bright, Her hasty touch untied. It slips adown her silken dress, Falls glittering at her feet; Unmarked it falls, for she no less Pursues her labour sweet. The very loveliest hour that shines, Is in that deep blue sky; The golden sun of June declines, It has not caught her eye. The cheerful lawn, and unclosed gate, The white road, far away, In vain for her light footsteps wait, She comes not forth to-day. There is an open door of glass Close by that lady's chair, From thence, to slopes of messy grass, Descends a marble stair. Tall plants of bright and spicy bloom Around the threshold grow; Their leaves and blossoms shade the room From that sun's deepening glow. Why does she not a moment glance Between the clustering flowers, And mark in heaven the radiant dance Of evening's rosy hours? O look again! Still fixed her eye, Unsmiling, earnest, still, And fast her pen and fingers fly, Urged by her eager will. Her soul is in th'absorbing task; To whom, then, doth she write? Nay, watch her still more closely, ask Her own eyes' serious light; Where do they turn, as now her pen Hangs o'er th'unfinished line? Whence fell the tearful gleam that then Did in their dark spheres shine? The summer-parlour looks so dark, When from that sky you turn, And from th'expanse of that green park, You scarce may aught discern. Yet, o'er the piles of porcelain rare, O'er flower-stand, couch, and vase, Sloped, as if leaning on the air, One picture meets the gaze. 'Tis there she turns; you may not see Distinct, what form defines The clouded mass of mystery Yon broad gold frame confines. But look again; inured to shade Your eyes now faintly trace A stalwart form, a massive head, A firm, determined face. Black Spanish locks, a sunburnt cheek A brow high, broad, and white, Where every furrow seems to speak Of mind and moral might. Is that her god? I cannot tell; Her eye a moment met Th'impending picture, then it fell Darkened and dimmed and wet. A moment more, her task is done, And sealed the letter lies; And now, towards the setting sun She turns her tearful eyes. Those tears flow over, wonder not, For by the inscription see In what a strange and distant spot Her heart of hearts must be! Three seas and many a league of land That letter must pass o'er, Ere read by him to whose loved hand 'Tis sent from England's shore. Remote colonial wilds detain Her husband, loved though stern; She, 'mid that smiling English scene, Weeps for his wished return. |
Sunday, April 12, 2015
Definitely :)
"You can never get a cup of tea large enough or a book long enough to suit me."
~C.S. Lewis~
~C.S. Lewis~
Wednesday, April 8, 2015
Quote for the Day
"Literature is my Utopia. Here I am not disfranchised. No
barrier of the senses shuts me out from the sweet, gracious discourse of my
book-friends. They talk to me without embarrassment or awkwardness."
~ Helen Keller ~
Saturday, April 4, 2015
Happy Easter!!
Peter Cottontail
by
Beatrix Potter
Beatrix Potter
Here comes Peter Cottontail,
Hoppin' down the bunny trail,
Hippity, hoppity,
Easter's on its way.
Bringin' every girl and boy Baskets full of Easter joy,
Things to make your Easter bright and gay.
He's got jelly beans for Tommy,
Colored eggs for sister Sue,
There's an orchid for your Mommy
And an Easter bonnet, too.
Oh, here comes Peter Cottontail,
Hoppin' down the bunny trail,
Hippity, hoppity,
Happy Easter day.
Here comes Peter Cottontail,
Hoppin' down the bunny trail,
Look at him stop,
And listen to him say:
"Try to do the things you should."
Maybe if you're extra good,
He'll roll lots of Easter eggs your way.
You'll wake up on Easter morning
And you'll know that he was there
When you find those choc'late bunnies
That he's hiding ev'rywhere.
Oh, here comes Peter Cottontail,
Hoppin' down the bunny trail,
Hippity, hoppity,
Happy Easter day.
Beatrix Potter (1866 -1943) was an English author and illustrator.
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